Matisse paintings began as still-lives and landscapes in the traditional Flemish style with reasonable proficiency. Henri-Emile-Benoit Matisse was a French artist, draughtsman, printmaker and sculptor, primarily known as a painter.
Most of the early Matisse paintings employed a dark palette, thus, had the tendency to be gloomy. Henri's first contemporary art experimentations earned a rebellious reputation.
Among the Matisse paintings, it was The Dinner Table that was first considered to be a masterpiece. Completed in 1897, it was considered radical due to its impressionist aspects. Impressionism was introduced in Matisse paintings between 1897 and 1898 and caused a dramatic change in Henri's painting style.
Without much clear direction, Matisse paintings displayed Henri's rebellious talents by 1899. Whenever he got stuck with his paintings, Henri turned to sculpture for the organization of his thoughts and sensations.
Color was a crucial element in Matisse paintings. This practice was influenced by the post-impressionist works as well as by the Japanese art. It also led to reconstruction of Henri's own philosophy on still life. Henri stretched his paintings to a forced contemplation of the color surfaces. This stretch was patterned after the fragmented planes of Paul Cezanne.
From 1899 to 1905, Matisse paintings made use of the pointillist technique as adopted from Signac. Meanwhile, in 1902-03, they went back to dark palettes, briefly showing a movement back to naturalism.
A Russian-French artist named Marc Zakharovich Chagall was considered the quintessential 20th century Jewish artist. Marc Chagall paintings exhibited fabulous and metaphoric images on everyday life. This was clearly manifested in Marc's early works including Birth, The Deal and A Holy Family.
There was a demonstration of a perfect feeling for colors and a mastery of the Fauvism methods in Marc Chagall paintings. They also exemplified a mastery of new trends and tendencies. Among these new trends are Cubism, Futurism and Orphism. They were however reshaped in the Marc way. This reshaping is clearly shown in The Violinist, To My Betrothed, Golgotha and Paris Through the Window.
Filled with love and nostalgia are Marc Chagall paintings such as The Pinch of Snuff, The Cattle Dealer and I and the Village. However, during the First World War, the Marc Chagall paintings became very multifaceted in their everyday life representation despite remaining immersed in nostalgia.
Among the Marc Chagall paintings completed during this period were Window at the Dacha, War, Red Jew, Feast of the Tabernacles, Birthday, Pink Lovers, The Promenade and Bella with White Collar.
War was a reflection of human grief and hardships during the war. The strongly religious Marc Chagall paintings, Red Jew and Feast of the Tabernacles were a result of the Jewish persecution intensification. Filled with love towards a woman named Bella, the last aforementioned 4 Marc Chagall paintings were considered lyrical works.
Most of the early Matisse paintings employed a dark palette, thus, had the tendency to be gloomy. Henri's first contemporary art experimentations earned a rebellious reputation.
Among the Matisse paintings, it was The Dinner Table that was first considered to be a masterpiece. Completed in 1897, it was considered radical due to its impressionist aspects. Impressionism was introduced in Matisse paintings between 1897 and 1898 and caused a dramatic change in Henri's painting style.
Without much clear direction, Matisse paintings displayed Henri's rebellious talents by 1899. Whenever he got stuck with his paintings, Henri turned to sculpture for the organization of his thoughts and sensations.
Color was a crucial element in Matisse paintings. This practice was influenced by the post-impressionist works as well as by the Japanese art. It also led to reconstruction of Henri's own philosophy on still life. Henri stretched his paintings to a forced contemplation of the color surfaces. This stretch was patterned after the fragmented planes of Paul Cezanne.
From 1899 to 1905, Matisse paintings made use of the pointillist technique as adopted from Signac. Meanwhile, in 1902-03, they went back to dark palettes, briefly showing a movement back to naturalism.
A Russian-French artist named Marc Zakharovich Chagall was considered the quintessential 20th century Jewish artist. Marc Chagall paintings exhibited fabulous and metaphoric images on everyday life. This was clearly manifested in Marc's early works including Birth, The Deal and A Holy Family.
There was a demonstration of a perfect feeling for colors and a mastery of the Fauvism methods in Marc Chagall paintings. They also exemplified a mastery of new trends and tendencies. Among these new trends are Cubism, Futurism and Orphism. They were however reshaped in the Marc way. This reshaping is clearly shown in The Violinist, To My Betrothed, Golgotha and Paris Through the Window.
Filled with love and nostalgia are Marc Chagall paintings such as The Pinch of Snuff, The Cattle Dealer and I and the Village. However, during the First World War, the Marc Chagall paintings became very multifaceted in their everyday life representation despite remaining immersed in nostalgia.
Among the Marc Chagall paintings completed during this period were Window at the Dacha, War, Red Jew, Feast of the Tabernacles, Birthday, Pink Lovers, The Promenade and Bella with White Collar.
War was a reflection of human grief and hardships during the war. The strongly religious Marc Chagall paintings, Red Jew and Feast of the Tabernacles were a result of the Jewish persecution intensification. Filled with love towards a woman named Bella, the last aforementioned 4 Marc Chagall paintings were considered lyrical works.
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